Adobe Media Encoder CC manual

Adobe Media Encoder CC

On this page you find the Adobe Media Encoder CC manual. Please read the instructions in this operator manual carefully before using the product. If you have any questions about your that are not answered in the manual, please share your question in the troubleshooting section on the buttom of this page.

Media Encoder CC
What's new in Adobe Media Encoder CC 7.1 and CC 7.2
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This article describes the new and changed features in Adobe Media Encoder CC 7.2 and CC 7.1 releases. See this document for information on
changes in the Adobe Media Encoder CC 7.0 release.
Enhancements in Adobe Media Encoder 7.2
Changes in AME 7.1
Improvements to AVCI-Intra export
GPU acceleration
DNxHD presets
Interpret footage
Native Premiere Pro and Prelude project loading
FCP XML import
Sync settings
Effects settings
Enhancements in Adobe Media Encoder 7.2
The Adobe Media Encoder 7.2 release now supports Dolby Digital Plus audio encoding through SurCode. This new option is available in any
H.264 and MPEG-2 encoders. Set the multiplexer option to "MP4", "TS", or "None". Note that Dolby Digital Plus audio is for external use
only. For now, no Adobe application can import this format.
H.264 export now allows you to mutiplex MP3 and Dolby audio in addition to AAC audio. In previous releases, you could only multiplex AAC
Vimeo presets are now set to use 48kHz audio per Vimeo's recommended specifications.
Presets synced to the cloud now show a CC icon in the Preset Browser, which differentiates them from presets saved locally.
Changes in AME 7.1
Improvements to AVCI-Intra export
The export performance of MXF OP1a AVCI has been greatly improved. AME now uses the MainConcept AVCI codec for this format and as a
result the files are rendered faster. The following options have been added:
AVCI100 1080p50
AVCI100 1080p60
XAVC Intra HD (1020x1080)
XAVC Intra 4K(3840x2160)
XAVC Intra 4K(4096x2160)
All of the above formats can be exported using smart rendering. For more information about smart rendering, see this Premiere Pro article.

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